I hope this painting refracts the lights I saw sparkling off these glossy leaves! For now, I have to draw what I don’t know, but soon I will find out what all of these species are. For technical accuracy, this project would have included a full year of botanical research supported by observing through all seasons, but I’m glad for the artistic freedom I’m using to push out these pictures before fully understanding them!
Specimen recorded July 24, 2020, 18:41.
Art by Nelson Spies, March 1, 2021. Acrylic on thick canvas-textured paper from a 2019 Europe calendar.
This is an unknown tree with bright green leaves and light bark. It might be an aspen or a relative; I was unable to find an exact match from several sources I looked in. I still have a great chance of learning many of these unknown species, since I now know where the specimens are and I walk by them frequently! I will have to visit and take more notes in spring, summer, and fall to identify some of these.
Specimen recorded July 24, 2020, 18:37.
Art by Nelson Spies, February 4, 2021. Acrylic on black textured plastic planner divider.
Check out these little pomes! I wish I had captured these a bit later in the season with ripe fruit to add some extra colour.
This is my first digital art piece in this project. Although I was able to more or less trace my reference photo, I added some of my own texture and shading. I’d like to stick more to traditional media, but I will definitely keep exploring the digital painting world.
Specimen recorded July 24, 2020, 18:34 about 190 m down the trail from BBY001.
Art by Nelson Spies, January 28, 2021. Digital painting with Krita and Wacom Intuos pen tablet.
Lincoln’s Sparrow. When I saw this bird along the trail ahead of me, I excitedly snapped a couple blurry shots before getting one clear-ish one. This is the first animal in my series, a step forward in showcasing the diversity of this park!
The one clear picture I took lacked a lot of detail in the shadows, so I wasn’t able to see the true colours of this sparrow. Looking in my bird guides, the most similar species was Lincoln’s sparrow, although I couldn’t see some of the colours and patterns in my picture. I still think this is the most probable identification, although it could be a variety of fox sparrow!
This guy was sitting in an alder tree, so this painting shows off another version of BBY004! I had a lot of fun painting every part of this scene, the pastel blue summer sky, blurred light green splotches, the mossy alder branch, and of course the bird. I’m very happy with the result, although leaving the subject to last made me nervous.
Specimen recorded July 24, 2020, 18:29 about 140 m down the trail from BBY001.
Art by Nelson Spies, December 30, 2020. Acrylics on primed canvas sheet.
This is grass; I know that much! It is possibly johnsongrass, which I learned this week is an invasive introduced species that is not officially listed as present here in BC. However, if johnsongrass has popped across the US border, I wouldn’t be surprised. The plants I observed grow mainly in the marshy areas to the south of Burnaby Lake. In fact, the greenery in the background of 009 is probably this grass!
I think from now on, I have to take the backburner in terms of positively identifying these plants, and instead focus on just presenting the art. This artwork was one of my favourite ones to draw – there are nice simple shapes, but also details that come out really nicely with ink. The flowers/seeds on the actual plant should taper more towards the tip; I just got carried away and ran out of room at the top of the page.
Specimen recorded July 24, 2020, 18:26 about 130 m down the trail from BBY001. Some stands of grass got really tall, up to about 7 feet (2.1 m).
Art by Nelson Spies, December 17, 2020. Prismacolor Premier 01 fine line marker on dot matrix printer paper. I just have a lot of that really old paper.
Purple loosestrife. This distinctive flower popped up in a few places along the Burnaby Lake trail. It was easy to identify; although similar to the native fireweed, purple loosestrife’s petals are more pointy. L. salicaria was introduced to North America and has taken over from East to West. More interesting information can be read here.
This artwork is the first collaboration piece, painted by my friend Rébécca Gourde! Liquitex Basics Acrylic on 8×10” Quality Canvas Panel using “a lot of different paintbrushes.”
Specimen recorded July 24, 2020, 18:23 about 110 m down the trail east of BBY001. About 2 – 3’ (0.7 – 1 m) tall, a single stalk by itself. Others were later observed in larger groupings at the south side of the lake.
American or European beech. I need to see the flowers and the fruit to know for sure which species this is. Being a relatively small tree, it might be too young to show fruit. It may not be a beech since there are no native beeches on the West coast. Another species whose leaves these resemble is American hornbeam (Carpinus caroliniana), which is in the birch family (Betulaceae) along with the paper birch and red alder a few weeks back. All of these options are native to Eastern North America.
This tree caught my eye since it had these brightly coloured leaves even in July when I wrote it on my list. I have seen other trees around the lake that look the same while having pure green leaves. This tree was quite small and the leaves were very sparse, stemming from several trunks. The bark is smooth and resembles that of the alder, having the same lichen growth patches.
Specimen recorded July 24, 2020, 18:20 about 100 m down the trail from BBY001. About 15’ (4.6 m) tall, with three main trunks.
Art by Nelson Spies, December 2, 2020. Acrylic on primed canvas sheet.
Possibly Gaylussacia baccata or Vaccinium membranaceum (black huckleberry). However, one thing that has me questioning that possibility is that the leaves on my observed plant are not alternating. I don’t have enough photos from the summer to look at other parts of the plant. Really, seeing the buds and flowers come out in the spring would help tremendously to identify it. With my currently plan of drawing each observed species in the order I found them, I’m stuck with the material I gathered at the time.
Specimen recorded July 24, 2020, 18:14 across the trail from the willow tree (006).
Art by Nelson Spies, November 25, 2020. Pencil crayon on medium texture coloured pencil paper.
Pacific willow, shining willow, whiplash willow. My first attempt at guessing the species of this tree was black willow. Native to eastern North America, I thought it was unlikely to be that exact species, although I know a lot a migration of introduced species has happened. Looking at “Native Trees of Canada,” a 1956 handbook passed down to me, I discovered the most likely native willow species: the pacific willow. It loves to grow in marshy ground as do a lot of willows. I have seen these trees all around the lake, with different shapes and sizes but with the same leaves, which twist slightly to one side at the tips. The bark is rough and dark, and some trees have young shoots starting from the ground or low on the trunk. I want to revisit these trees in the spring when the young leaves and flowers come out!
This is my first acrylic/canvas artwork in this project, and I think it worked well for the subject! I’m looking forward to painting more of these plants and animals.
Specimen recorded July 24, 2020, 18:11 across the trail from the alder tree (004).
Art by Nelson Spies, November 11, 2020. Acrylic on primed canvas sheet.
Lady fern. Ferns are so beautiful and complex, but the simplicity of my art reflects my knowledge of these plants. I had no idea where to start in identifying this one. I still don’t understand exactly what “pinnatifid” means but it’s a start! The leaf structure is bipinnate-pinnatifid if anyone was wondering. Another clue was hidden under the leaf. The sori, or spore structures used to reproduce, are intricately shaped and sometimes protected by a tiny tissue. The sori of this lady fern (pictured here in mid-September) are kidney shaped.
Specimen recorded July 24, 2020, 18:09 under the alder tree from last week.
Art by Nelson Spies, September 24, 2020. Acrylic and ink on 65 lb green cardstock.